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Auteur : Richard Cohn
Catégorie : Livres anglais et étrangers,Entertainment,Music
Broché : * pages
Éditeur : *
Langue : Français, Anglais

Music theorists have long believed that 19th-century triadic progressions idiomatically extend the diatonic syntax of 18th-century classical tonality, and have accordingly unified the two repertories under a single mode of representation. Post-structuralist musicologists have challenged this belief, advancing the view that many romantic triadic progressions exceed the reach of classical syntax and are mobilized as the result of a transgressive, anti-syntactic impulse. In Audacious Euphony, Richard Cohn takes both of these views to task, arguing that romantic harmony operates under syntactic principles distinct from those that underlie classical tonality, but no less susceptible to systematic definition. Charting this alternative triadic syntax, Cohn reconceives what consonant triads are, and how they relate to one another. In doing so, he shows that major and minor triads have two distinct natures: one based on their acoustic properties, and the other on their ability to voice-lead smoothly to each other in the chromatic universe. Whereas their acoustic nature underlies the diatonic tonality of the classical tradition, their voice-leading properties are optimized by the pan-triadic progressions characteristic of the 19th century. Audacious Euphony develops a set of inter-related maps that organize intuitions about triadic proximity as seen through the lens of voice-leading proximity, using various geometries related to the 19th-century Tonnetz. This model leads to cogent analyses both of particular compositions and of historical trends across the long nineteenth century. Essential reading for music theorists, Audacious Euphony is also a valuable resource for music historians, performers and composers.

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Audacious Euphony - Richard Cohn - Oxford University Press ~ Audacious Euphony Chromatic Harmony and the Triad's Second Nature Richard Cohn Oxford Studies in Music Theory. A new and controversial theory of 19th-century harmony; A systematic development of a historical model; A new explanation for why 19th-century music is affiliated with the supernatural; Features a companion website with expanded .

Descargar Audacious Euphony: Chromatic Harmony and the ~ Audacious Euphony: Chromatic Harmony and the Triad's Second Nature (Oxford Studies in Music Theory) PDF Details. Título: Audacious Euphony: Chromatic Harmony and the Triad's Second Nature (Oxford Studies in Music Theory) Nombre del archivo: audacious-euphony-chromatic-harmony-and-the-triads-second-nature-oxford-studies-in-music-theory.pdf Fecha de lanzamiento: February 16, 2012

Amazon - Audacious Euphony: Chromatic Harmony and the ~ Noté /5. Retrouvez Audacious Euphony: Chromatic Harmony and the Triad's Second Nature (Oxford Studies in Music Theory) by Cohn, Richard (2012) Hardcover et des millions de livres en stock sur Amazon. Achetez neuf ou d'occasion

Audacious Euphony Chromatic Harmony And The Triads Second ~ Audacious Euphony Chromatic Harmony And The Triads Second Nature Oxford Studies In Music Theory Author: learncabg.ctsnet-Mathias Beike-2020-09-07-10-24-15 Subject: Audacious Euphony Chromatic Harmony And The Triads Second Nature Oxford Studies In Music Theory Keywords

Audacious Euphony Chromatic Harmony And The Triads Second ~ Audacious Euphony Chromatic Harmony And The Triads Second Nature Oxford Studies In Music Theory Author: media.ctsnet-Yvonne Feierabend-2020-09-02-09-30-13 Subject: Audacious Euphony Chromatic Harmony And The Triads Second Nature Oxford Studies In Music Theory Keywords

Audacious Euphony Chromatic Harmony And The Triads Second ~ Audacious Euphony Chromatic Harmony And The Triads Second Nature Oxford Studies In Music Theory Author: wiki.ctsnet-Phillipp Meister-2020-10-02-03-47-26 Subject: Audacious Euphony Chromatic Harmony And The Triads Second Nature Oxford Studies In Music Theory Keywords

Audacious Euphony: Chromatic Harmony and the Triad's ~ Buy Audacious Euphony: Chromatic Harmony and the Triad's Second Nature (Oxford Studies in Music Theory) from Kogan. Music theorists have long believed that 19th-century triadic progressions idiomatically extend the diatonic syntax of 18th-century classical tonality, and have accordingly unified the two repertories under a single mode of representation.

Audacious Euphony: Chromatic Harmony and the Triad's ~ In Audacious Euphony, Richard Cohn takes both of these views to task, arguing that romantic harmony operates under syntactic principles distinct from those that underlie classical tonality, but no less susceptible to systematic definition. Charting this alternative triadic syntax, Cohn reconceives what consonant triads are, and how they relate to one another. In doing so, he shows that major .

Neo-Riemannian theory - Wikipedia ~ Neo-Riemannian theory is named after Hugo Riemann (1849–1919), whose "dualist" system for relating triads was adapted from earlier 19th-century harmonic theorists. (The term "dualism" – also known as the theory of negative harmony [citation needed] – refers to the emphasis on the inversional relationship between major and minor, with minor triads being considered "upside down" versions .

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Tonality - Wikipedia ~ Audacious Euphony: Chromatic Harmony and the Triad's Second Nature. Oxford Studies in Music Theory. Oxford and New York: Oxford University Press. ISBN 978-0-19-977269-8. DeVoto, Mark. 2004. Debussy and the Veil of Tonality: Essays on His Music. Dimension and Diversity: Studies in 20th-century Music 4. N.p.: Pendragon Press. ISBN 1-57647-090-3.

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